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    <title>Poetry on On the Backs of Turtles</title>
    <link>https://www.tuirgin.com/tags/poetry/</link>
    <description>Recent content in Poetry on On the Backs of Turtles</description>
    <generator>Hugo -- gohugo.io</generator>
    <language>en-us</language>
    <managingEditor>blog@tuirgin.com (Christopher D. Walborn)</managingEditor>
    <webMaster>blog@tuirgin.com (Christopher D. Walborn)</webMaster>
    <copyright>&amp;copy; 2018 Christopher D. Walborn [Some Rights Reserved](http://creativecommons.org/licenses/by/3.0/)</copyright>
    <lastBuildDate>Fri, 14 Sep 2018 00:00:00 -0400</lastBuildDate>
    
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    <item>
      <title>Poetry and 52 Cards</title>
      <link>https://www.tuirgin.com/post/20180904-poetry_and_52_cards/</link>
      <pubDate>Fri, 14 Sep 2018 00:00:00 -0400</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20180904-poetry_and_52_cards/</guid>
      <description>&lt;p&gt;In &lt;em&gt;On Poetry&lt;/em&gt; Glyn Maxwell gives a writing exercise where you draw from a deck
of cards. Each suit prompts a social situation; each value prompts a setting.
Draw a card. Write a stanza. Repeat. Or not.&lt;/p&gt;</description>
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    <item>
      <title>Keats: To My Brothers</title>
      <link>https://www.tuirgin.com/post/20180830-keats-to_my_brothers/</link>
      <pubDate>Thu, 30 Aug 2018 00:00:00 -0400</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20180830-keats-to_my_brothers/</guid>
      <description>&lt;p&gt;Tonight I read this occasional poem which John Keats wrote on the 17&lt;sup&gt;th&lt;/sup&gt; birthday of his brother, Tom.&lt;/p&gt;

&lt;div class=&#34;poem&#34;&gt;
  &lt;p class=&#34;poem-title&#34;&gt; To My Brothers &lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt; Small, busy flames play through the fresh laid coals, &lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt; And their faint cracklings o’er our silence creep &lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt; Like whispers of the household gods that keep &lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt; A gentle empire o’er fraternal souls. &lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt;And while, for rhymes, I search around the poles,&lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt;Your eyes are fix’d, as in poetic sleep,&lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt;Upon the lore so voluble and deep,&lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt;That aye at fall of night our care condoles.&lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt;This is your birth-day Tom, and I rejoice&lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt;That thus it passes smoothly, quietly.&lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt;Many such eves of gently whisp’ring noise&lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt;May we together pass, and calmly try&lt;/p&gt;
  &lt;p class=&#34;poem-line&#34;&gt;What are this world’s true joys,—ere the great voice,&lt;/p&gt;
  &lt;p class=&#34;poem-line poem-0&#34;&gt;From its fair face, shall bid our spirits fly.&lt;/p&gt;
  &lt;p class=&#34;poem-date&#34;&gt; November 18, 1816 &lt;/p&gt;
&lt;/div&gt;</description>
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    <item>
      <title>Memorizing Mandelshtam</title>
      <link>https://www.tuirgin.com/post/20180825-memorizing_mandelshtam/</link>
      <pubDate>Sat, 25 Aug 2018 00:00:00 -0400</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20180825-memorizing_mandelshtam/</guid>
      <description>&lt;p&gt;Re-reading Glyn Maxwell&amp;rsquo;s &lt;em&gt;On Poetry&lt;/em&gt;, I took special note of this following passage, which appears just before a section break.&lt;/p&gt;

&lt;blockquote&gt;
&lt;p&gt;A memorized poem can be passed to you intact. I think this makes the written poem unique, in terms of our relationship with its materials—by which I mean the black (something there) and the white (nothing there). The Stalin regime could destroy Osip Mandelstam, but not the poems his widow Nadezhda had learned by heart. That&amp;rsquo;s something and nothing showing their true colors.
&lt;/p&gt;</description>
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    <item>
      <title>John Clare, Loss &amp; Gain</title>
      <link>https://www.tuirgin.com/post/20180817-journal-john_clare/</link>
      <pubDate>Fri, 17 Aug 2018 00:00:00 -0400</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20180817-journal-john_clare/</guid>
      <description>&lt;p&gt;On a surprise (forgotten) day of PTO, I learned of John Clare&amp;mdash;&lt;em&gt;I am Jack Randall now. I was Byron and Shakespeare formerly.&lt;/em&gt; As I read his verse and am confronted with his dismay at the destruction of the wild places he loved&amp;mdash;this was the 19&lt;sup&gt;th&lt;/sup&gt; c.&amp;mdash;I am filled with sadness and nostalgia for how far this has gone in 200 years.
&lt;/p&gt;</description>
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    <item>
      <title>Poetic Urges</title>
      <link>https://www.tuirgin.com/post/20180815-journal-poetry/</link>
      <pubDate>Wed, 15 Aug 2018 00:00:00 -0400</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20180815-journal-poetry/</guid>
      <description>&lt;p&gt;I&amp;rsquo;m filled with this longing&amp;mdash;again&amp;mdash;to be taken up with writing and reading poetry. It will pass, a momentary urge. But where does this urge come from? To be known? Who knows poets but other poets? And it seems unlikely that I&amp;rsquo;d find publication when I haven&amp;rsquo;t put the time in. I haven&amp;rsquo;t read, I haven&amp;rsquo;t written in years. But that can all change. And let&amp;rsquo;s say I stop chasing an ideal and just start working at it. What might that get me?&lt;/p&gt;</description>
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    <item>
      <title>Exercises from On Poetry</title>
      <link>https://www.tuirgin.com/post/20150822-on_poetry-exercises/</link>
      <pubDate>Sat, 22 Aug 2015 10:45:18 +0000</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/20150822-on_poetry-exercises/</guid>
      <description>&lt;p&gt;It&amp;rsquo;s been quite a few years since I last spent time on poetry. For
whatever reason I seem to go through cycles where I read and write none
of it, and then it comes back like some kind of need. So, I&amp;rsquo;m re-reading
Glyn Maxwell&amp;rsquo;s &lt;em&gt;On Poetry&lt;/em&gt; and doing some of the exercises this time.
The exercises for the first chapter involve taking a number of blank
pages and pretending certain things about them. What follows are my
just-spit-it-out first draft attempts. Just getting the juices flowing
again. &lt;/p&gt;</description>
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    <item>
      <title>For Anastasia</title>
      <link>https://www.tuirgin.com/post/201211150747-poetry-anastasia/</link>
      <pubDate>Thu, 15 Nov 2012 00:00:00 -0500</pubDate>
      <author>blog@tuirgin.com (Christopher D. Walborn)</author>
      <guid>https://www.tuirgin.com/post/201211150747-poetry-anastasia/</guid>
      <description>for Anastasia
I was wrong to ever try to teach you;
The things I want for you cannot be learned:
Swallow sun and dance upon the waters—
Swallow moon and skip stars across the sky.
—November 15, 2012
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